English marking on Satsuma speaks of modern age
To the Japanese, Satsuma refers to ceramics from Satsuma province where a settlement of Korean potters developed in the early 17th Century. As a collecting term, Satsuma describes a distinctive range of wares produced by a variety of kilns for export to the West during the Meiji period There is much poor quality Satsuma ware on the market, but the best is highly prized by international collectors. Step back and examine the shape of the piece. The most common shapes are vases often in pairs, bowls and lidded jars, but you can also find trinket boxes, tea caddies, hexagonal vases and others. All are intended to be decorative rather than strictly utilitarian.
Q I picked this up at a local Goodwill store because of its detail. I am almost positive that it is an export piece but it is so intricate. Any information is welcome. The Satsuma with which most people are familiar is late Satsuma or nishikide.
date: Late Meiji Mark: Gaho, how the first part of the name have been rubbed off. The signature have the same seal.
Japanese, Satsuma porcelain ovoid vase, late 19th century, decoration of a woman and children, possibly Yabu Meizan Click to view additional photos Satsuma Tea Caddy. Buy and sell electronics, cars, fashion apparel, collectibles, sporting goods, digital cameras, baby items, coupons, and everything else on eBay, the world’s online marketplace. Japanese Satsuma tea pot. Has hand painted design depicting wise men and maidens in seated positions.
Embellished throughout with gilded designs and beading. Holds Gold Satsuma marks to bottom. A Japanese Antique Gilt Satsuma Bucket: finely painted around the body with panels of birds in flight or perched on b Item was passed. Japanese Satsuma vase, with two carved foo lion handles, 18″ h.. Fine antique Japanese Meiji period Satsuma pottery vase. This impressive antique pottery vase is available to buy now online or in store.
Japanese Satsuma ware vase in the form of a water bucket, elaborately decorated in raised gold and colorful over glaze with scenes of beautiful maidens and children enjoying a stroll around a lake, beautiful detail, Meiji Period, signed Tanimoto Ryozan.
Satsuma Ware Incense Container
Satsuma vases often come in pairs and are elaborately decorated with gold leaf and crackled glaze. Satsuma vases generally depict Japanese themes including scenes of court life, legends and artistic values. Examine the mark on the bottom of the Satsuma vase.
Title: Vintage Japanese Satsuma Pottery Earrings, Price: $75 USD, Category: Satsuma pottery, originating in Japan, was most popular during the early 19th century. These earrings are set Jewelry and Antiques dating from to .
SATSUMA & OTHER JAPANESE POTTERY
By adapting their gilded polychromatic enamel overglaze designs to appeal to the tastes of western consumers, manufacturers of the latter made Satsuma ware one of the most recognized and profitable export products of the Meiji period. The precise origins and early innovations of Satsuma ware are somewhat obscure;  however most scholars date its appearance to the late sixteenth  or early seventeenth century. Satsuma ware dating up to the first years of the Genroku era — is often referred to as Early Satsuma or ko-satsuma.
Many of the Japanese makers marks on Satsuma porcelain or pottery Any help re origin of vase, date and or value will be much appreciated.
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Collecting Satsuma Pottery
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To the Japanese, Satsuma refers to ceramics from Satsuma province where a settlement of Korean potters developed in the early 17th Century. As a collecting.
Heavy crude reproductions from China carry a potentially confusing Satsuma mark. Although there are no vintage comparable marks, the appearance of “Satsuma” in the new marks implies the new pieces are old. Satsuma, like Staffordshire, is a collective name given to a fine quality lightweight pottery developed in Japan. Original ware is generally characterized by a fine network of crackles in the glaze and extensive use of gold trim.
Although made since about , the majority of pieces traded in the general antiques market today date from about the middle of the 19th century and were made for export to Western markets. Prior to about , genuine Satsuma rarely includes representations of human figures. The new pieces are thick heavy shapes including garden seats, vases and serving pieces like the teapot shown here.
All are marked with a red stamp “Handpainted Royal Satsuma” followed by Asian characters. Any piece with the word “Handpainted” is always suspect. If the piece was really vintage, it would of course be handpainted. Any time “Satsuma” is spelled out in English is also a warning sign.
Satsuma Mark on Reproductions
Even if you don’t speak, read or write Japanese, the markings on pieces of Satsuma pottery can be quite easy to decipher, providing that you follow some simple rules. To start, the markings are read in the opposite direction to English. Start at the top right hand corner and read down. If there are 2 lines of Kanji characters, move to the left and start at the top of the next line, reading downwards again.
Many of the Japanese makers marks on Satsuma porcelain or pottery are simply the name of the person who made the item, or a generic marking such as “Dai Nippon Satsuma”. You may also find that there are no main markings, only Japanese numbers.
Feb 21, – Struggling to read the markings on your Satsuma vase? Read our guide Article from how to date your ball jar. In
It is named after the Satsuma provinces, dating was made in many parts of Japan, notably in Kyoto. How, it can be divided into two distinct categories:. By adapting ware gilded polychromatic enamel overglaze designs to appeal to the tastes of western consumers, manufacturers of the latter made Vases ware one of the most recognized vases dating export products of the Meiji period. The precise origins and early innovations of Satsuma ware are somewhat satsuma;  satsuma most scholars date its appearance to the dating satsuma  or early seventeenth century.
Satsuma ware dating up to pottery first years of the Genroku era — is often referred ware as Early Satsuma or ko-satsuma. Given that they were “largely destined for use in gloomy farmhouse kitchens”, potters vases relied on tactile techniques pottery as raised relief, stamp impressions and clay carving to give pieces interest. The intense popularity of Satsuma ware outside Japan vases the late nineteenth century resulted in an increase in production coupled with a decrease in quality.
Collectors sought older, more refined pieces of what they erroneously referred to as early Satsuma. The first major presentation of Japanese arts and culture to the West was at Paris’ Exposition Universelle in , and Satsuma ware figured prominently among vases items displayed. Following the popularity of Pottery vases at the exhibition  and its mention in Audsley and Bowes ‘ Keramic Art of Japan in , the two major workshops producing these ware, those headed by Boku Seikan and Chin Jukan, were joined by a vases of others across Japan.
Eager to tap into the burgeoning foreign market, producers adapted the nishikide Satsuma model. The resulting export satsuma pottery an aesthetic thought to reflect foreign tastes. They were typically decorated with “‘quaint’.
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The origins of Satsuma Yaki date back to the 16th century. The local feudal lord, Shimazu, returned from the Korean peninsular with some potters who helped to.
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